JEAN-PHILIPPE MALATY, EXECUTIVE DIRECTOR

was born in the Basque region of France. After receiving his baccalaureate in dance, he accepted scholarships to study at Mudra, Maurice Béjart’s school in Brussels and at John Cranko’s ballet academy in Stuttgart. Invited by acclaimed instructor David Howard to study in New York, Jean-Philippe traveled to America under Howard’s tutelage. Jean-Philippe’s performance career began with Joffrey II. He also danced as a guest artist with Los Angeles Classical Ballet, Ballet Hispanico, and Lyric Opera of Chicago. Jean-Philippe segued from the stage to an administrator role while still in his twenties. A key member of Aspen Santa Fe Ballet’s start-up team, Jean-Philippe has been central to developing the company’s unique dual-city business model. He directs operations in two locations, overseeing a $4.2 million budget that he allocates to the company, two schools, an esteemed presenting series, and an award-winning folkloric outreach program. In a daring managerial move, in 2014, Jean-Philippe added Juan Siddi Flamenco Santa Fe as a second performance company under the ASFB umbrella. Over the last decade, Jean-Philippe has received multiple accolades from the field. He has served as panelist for both the Colorado Council for the Arts and National Endowment for Arts. The Denver Bonfils-Stanton Foundation granted him their Livingston Fellowship in recognition of his significant leadership role in Colorado’s non-profit sector. Jean-Philippe and Tom were also co-honored with the Joyce Theater Foundation Award in recognition of ASFB’s contribution to dance. He shared an honor with Artistic Director Tom Mossbrucker when the Santa Fe Community Foundation bestowed its Piñon Award on the company. Jean-Philippe’s first love is teaching, and when his schedule permits, he teaches company class and is a guest instructor at schools and universities. A naturalized U.S. citizen, Jean-Philippe is proud to have forged a dance company infused with American energy, invention, and eclecticism.

“Dance is a celebration of the human spirit, not a celebration of steps. At Aspen Santa Fe Ballet, we foster the spirit and the love of dance.” Jean-Philippe Malaty

TOM MOSSBRUCKER, ARTISTIC DIRECTOR

has been artistic director of Aspen Santa Fe Ballet since 1996. For the past eighteen years Tom has built a prestigious arts organization sharing two homes in Aspen and Santa Fe. In his role as artistic director, Tom cultivates highly sophisticated and challenging works of contemporary ballet. His shining achievement is ASFB’s roster of 28 ballets created on commission by leading global choreographers. Tom began to dance at four, studying tap in his hometown of Tacoma, Washington. He pursued classical ballet training at the School of American Ballet and Joffrey Ballet School. His twenty years as a principal dancer with the Joffrey Ballet, performing in over 70 ballets under the direct coaching of founders Robert Joffrey and Gerald Arpino, coincided with a period of high artistic achievement for the company. Tom danced in works by great twentieth century choreographers: Fredrick Ashton, George Balanchine, Laura Dean, William Forsythe, Jiří Kylián, Mark Morris, Paul Taylor and Twyla Tharp. Signature roles included Iago in Jose Limon’s The Moor’s Pavane; Champion Roper in Agnes DeMille’s Rodeo; Billy in Eugene Loring’s Billy the Kid; and Romeo in John Cranko’s Romeo and Juliet. This rich dance heritage Tom brings to coaching dancers today. In 2013, Tom shared an honor with Executive Director Jean-Philippe Malaty when the Santa Fe Community Foundation bestowed its Piñon Award on the company. In 2010, in recognition of ASFB’s contribution to the field of dance, Tom and Jean-Philippe were honored with the Joyce Theater Foundation Award. A former board member of Dance USA, Tom currently serves on the board of The Gerald Arpino and Robert Joffrey Foundation.

“We strive for continuity and enjoy bringing choreographers back to create second and third works...to us that is success.” Tom Mossbrucker